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Dr. Dominik Bartmanski
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Technische Universität Berlin
Fakultät VI: Planen Bauen Umwelt
Institut für Soziologie
Fraunhoferstraße 33-36
Sekretariatszeichen FH 9-1
10587 Berlin
dominik.bartmanski@tu-berlin.de
| Tel.: | 73212 |
| Fax.: | 79494 |
| 2005 | Master of Arts, Sociology & European Studies, University of Exeter |
| 2007 | Master of Philosophy, Sociology, Yale University |
| 2011 | Ph.D., distinction, Sociology, Yale University |
| 2012 | Lecturer, Department of Sociology, TU Darmstadt |
| 2012-2015 | European Social Fund Postdoctoral Fellow, Masaryk University |
| 2014-2015 | Visiting Lecturer, Bard College Berlin |
| 2015 - | Research Associate, DFG-Projekt, Sociology Department, TU Berlin |
| Monographien | |||
| Bartmanski, D. and Woodward I. (2015): Vinyl. The Analogue Record in the Digital Age. London: Bloomsbury (Berg). | |||
| Monographien im Erscheinen | |||
| Bartmanski, D. and Woodward I. (vorr. 2017): Labels: Making Independent Music. London: Bloomsbury. | |||
| Sammelbände | |||
| Alexander, J.C. / Bartmanski, D. / Giesen, B. (2012): Iconic Power. Materiality and Meaning in Social Life. New York: Palgrave Macmillan. | |||
| Zeitschriftenartikel | |||
| Bartmanski, D. (2015): Modes of Seeing: Analysis Interpretation and Criticism after the Iconic Turn in Social Sciences. Sociologica No. 1/2015. | |||
| Bartmanski, D. / Binder, W. (2015): Being and Knowledge: On some Liabilities of Reed's Interpretivism. Czech Sociological Review No. 3: 499-511. | |||
| Bartmanski, D. (2015): Refashioning sociological imagination: Linguality, Visuality and the Iconic Turn in Cultural Sociology. Chinese Journal of Sociology 1(1): 136-161. | |||
| Bartmanski, D. and Woodward I. (2015): The Vinyl. The Analogue Medium in the Age of Digital Reproduction. Journal of Consumer Culture 15(1): 3-27 (online 2013). | |||
| Bartmanski, D. (2013): How to practice Visual and Material Culture Studies: A Cultural Sociological Perspective. Sociologica No. 1/2013: 1-11. | |||
| Bartmanski, D. (2013): The Word/Image Dualism Revisited: Towards an Iconic Conception of Visual Culture. Journal of Sociology 49(4): 1-18 (online 2012). | |||
| Bartmanski, D. (2012): How to become an Iconic Social Thinker. The Intellectual Pursuits of Malinowski and Foucault. European Journal of Social Theory 15(4): 426-452. | |||
| Bartmanski, D. (2011): Successful Icons of Failed Time. Rethinking Post-communist Nostalgia. Acta Sociologica 54(3): 213-232. | |||
| Buchbeiträge | |||
| Bartmanski, D. (2016): "Iconicity" In: The Sage Handbook of Cultural Sociology (edited by David Inglis). London: Sage. | |||
| Bartmanski, D. (2014): Ein P/ostmodernes Totem. Wie man als kommunistische Ikone den Kommunismus überdauert. In: Spielplätze der Verweigerung. Gegenkulturen im östlichen Europa nach 1956 [Playgrounds of Insubordination: Countercultures in Eastern Europe after 1956] (edited by Christine Gölz and Alfrun Kliems). Köln: Böhlau Verlag, 202-222. | |||
| Bartmanski, D. (2013): Liminal Cityscape: Post-communist Warsaw as Collective Representation. In: Grubbauer, M. / Kusiak, J. (eds.): Chasing Warsaw. Socio-Material Dynamics of Urban Change since 1990. Frankfurt / New York: Campus Verlag, 133-162. | |||
| Bartmanski, D. (2012): Iconspicious Revolutions of 1989. Culture and Contingency in the Making of Political Icons. In: Iconic Power. Materiality and Meaning in Social Life. New York: Palgrave Macmillan, 39-65. | |||
| Bartmanski, D. / Alexander, J.C. (2012): Introduction. Materiality and Meaning in Social Life: Toward an Iconic Turn in Cultural Sociology. In: Iconic Power. Materiality and Meaning in Social Life. New York: Palgrave Macmillan, 1-12. | |||
| Bartmanski, D. / Eyerman, R. (2012): The Worst was the Silence. The Unfinished Drama of the Katyn Massacre. In: Narrating Trauma. On the Impact of Collective Suffering. Edited by Ronald Eyerman, Jeffrey C. Alexander and Elizabeth Breese. Boulder, Colorado: Paradigm Press, 237-266. |